The Impact Storytelling Collective opens 9 November. Founding members join free.

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Charity photographer, London

Show funders what changed.

Documentary photography for charities and non-profits, from a photographer who has led a charity for more than 12 years. Honest, dignified images of your work, ready for funding bids, appeals, impact reports and your website.

As seen on

Media coverage: BBC, ITV, Channel 4, Sky News and The Guardian

Charity photography from £650. One-off shoots or a retainer. Available at short notice.

A group holding a large banner and flags on steps in a park during Pride

Naz and Matt Foundation at Pride, London

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02

The problem

Most charities are visible. Few can show what changed.

You have the coverage, the visits and the social posts. What you don’t have is a set of photographs that shows a funder what your work actually makes possible. So the bid goes in with stock images, with the same three photos you’ve used for years, or, even worse, with AI.

01

Stock in the funding bid

The same smiling strangers appear on other charities’ websites. Funders notice, and trust drops.

02

Photos stuck on phones

The best moments were captured, but they’re blurry, there’s no consent on record, and nobody knows where they are.

03

The people you can’t show

Safeguarding means you can’t photograph the people you support. So the most important work goes unseen.

A group of men laughing together around a table

Naz and Matt Foundation support group

We highly recommend Matt for his skill, professionalism, and the thoughtful approach he brings to photography, particularly when working with diverse and vulnerable groups.

Tom Lees

Old Diorama

03

A better way

Photograph the change, not the event.

Good charity photography starts with one question: what is different now, and for whom? Get that right and the images work for funders, supporters and the people in them.

Plan the story first

Before the shoot, you and I agree what changed, for whom, and what your funders or donors need to see.

Observe, don’t direct

Several shorter visits beat one long day. People relax, and the real moments happen.

Consent that lasts

Consent is planned before I arrive, explained in plain language, and people see the images before they go live.

Dignity before drama

No staged tears, no poverty shots. People are shown as they are, with their dignity intact.

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Selected work

Real people.
Real work.
Nothing staged.

05

What I photograph

Charity and non-profit photography

For charities, non-profits, community groups and the funders who back them.

Frontline services and programmes in action

Community projects and outreach

Fundraising events, appeals and campaigns

Volunteers and volunteering days

Case studies, with informed consent

Annual and impact report imagery

Funder and partner visits

Staff, trustee and volunteer portraits

Awareness days, protests and campaign launches

One shoot. A year of use.

Planned properly, one shoot feeds everything you publish about your work.

One shoot

Funding bids

Appeals

Impact report

Website

Social channels

Trustee and funder updates

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How it works

How a charity photography project works

1

A 15-minute call

You tell me about your work, the people involved and the deadline. I tell you honestly whether I’m the right fit.

2

Story planning

Before the shoot, you and I agree what changed, for whom, what your funders or donors need to see, and how consent and safeguarding will work.

3

The shoot

One visit or several shorter ones, timed around what is genuinely happening. You see images as we go, so there are no surprises.

4

Edit and delivery

Edited, full-resolution images, normally within 48 to 72 hours, or the same day on request. A full licence to use them anywhere, with a photo credit.

07

Ways to work together

Three ways to work together

One-off

Event or service day

From £650

One shoot, planned around the story you need to tell. Story planning call, edited images within 48 to 72 hours, captions guidance.

Retainer

Charity retainer

Monthly, quoted after a short call

Regular shoots across the year, so you always have current images for bids, appeals and reports.

Co-produced

Co-produced story

Quoted after a short call

For services where people can’t be photographed. The people you support take the pictures, with me alongside them. The process becomes part of the story.

Charity rates are lower than my corporate rates. Every charity project includes a full licence to use the images anywhere, for good, with a photo credit. Available at short notice.

08

Workshops

Need help with more than the photographs?

I can help your team tell the story of your work too. Practical social impact storytelling workshops for charity teams, so your images and your words work together in every bid, appeal and report.

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Social impact storytelling workshop, Reading, 2026

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Workshops

Need help with more than the photographs?

I can help your team tell the story of your work too. Practical social impact storytelling workshops for charity teams, so your images and your words work together in every bid, appeal and report.

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Social impact storytelling workshop, Reading, 2026

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Workshops

Need help with more than the photographs?

I can help your team tell the story of your work too. Practical social impact storytelling workshops for charity teams, so your images and your words work together in every bid, appeal and report.

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Social impact storytelling workshop, Reading, 2026

08

Workshops

Need help with more than the photographs?

I can help your team tell the story of your work too. Practical social impact storytelling workshops for charity teams, so your images and your words work together in every bid, appeal and report.

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Social impact storytelling workshop, Reading, 2026

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Why a charity CEO

I’ve sat on your side of the table.

I founded the Naz and Matt Foundation in 2014 and have led it for more than 12 years. I know what a funder needs to see, what a stretched comms team can realistically manage, and what the people you support need from you. That’s how I photograph.

Award-winning storyteller and documentary photographer

Trusted in sensitive settings where people can’t be identified

Charity work including Sue Ryder, NishkamSWAT, Hopscotch, Camden Giving and my charity, the Naz and Matt Foundation

Work covered by more than 200 media outlets, including the BBC, ITV, Channel 4, Sky News and The Guardian

90+

Talks and workshops given

200+

Media outlets that have covered my work

12+

Years running my own charity

54m

Audience reach of a 2020 World Suicide Prevention Day campaign I led

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Questions

Questions charities ask before they book

What does a charity photographer do?

How much does charity photography cost in London?

Do you offer charity rates?

Can you photograph people who can’t be identified?

How do you handle consent?

Can we use the photos in funding bids and appeals?

Do you photograph charity events and fundraisers?

Can you photograph at short notice?

Do you work outside London?

How quickly will we get the images?

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About

Charity photography, with people at the centre.

For charities and non-profits

I’m a London-based charity photographer and documentary photographer. I photograph frontline services, community projects, volunteers, events and campaigns for charities, non-profits and funders, so you have honest images for funding bids, appeals, impact reports and your website.

Dignity before polish

I’ve led a charity for more than 12 years, so I know what it’s like on the other side of the camera. Consent is planned before the shoot, people who can’t be identified aren’t, and the people in the photographs see them before they go live.

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Start A Project

Show funders what your work makes possible.

Tell me about the work. I'll come back to you myself.

12

Start A Project

Show funders what your work makes possible.

Tell me about the work. I'll come back to you myself.

12

Start A Project

Show funders what your work makes possible.

Tell me about the work. I'll come back to you myself.

12

Start A Project

Show funders what your work makes possible.

Tell me about the work. I'll come back to you myself.

Not ready yet? My newsletter shares one practical storytelling idea every Thursday.